AIRPLANE! vs ZERO HOUR!

One of my all time favorite movies is the Zucker-Abrams-Zucker disaster spoof Airplane!. If you by chance haven't seen the film, there's no real way to describe the film's offbeat, random, out-of-left field sense of humor. It's something you'll just have to experience for yourself.

I first saw the movie sometime in the early 1980s, at my friend's house on HBO. It was a comic revelation to us and for months afterwards we would set each other up with lines like "Surely you don't mean it," and getting the expected "Yes I do. And don't call me Shirley!" in response.

It wasn't until around the time I was in high school or college that I learned that the movie was actually patterened after a 1957 b-movie called Zero Hour!, scripted by none other than Alex Roots Hailey! Finding it on television proved impossible and it never got a release on VHS.

Last week though, Zero Hour! finally got a home video release as part of Warner Brothers "Cult Camp Classics" series. And the similarities between Zero Hour! and Airplane! are amazing! Where the original film reached for dramatic tension, Airplane! grabs laughs using the exact same lines. The Zucker-Abrams-Zucker team knew that the original was pure soapy melodrama, and they played it as straight as possible, knowing that's where the laughs were.

Don't take my word for it though. Check out these two scene-by-scene comparisons that recently showed up on YouTube.

SONG OF THE SOUTH- Finally?!

It's been a question that seems to have been on Disney fans' lips since the first DVD players rolled off the assembly lines and into retail outlets over 10 years ago- “When is Disney going to release Song Of The South on DVD?”

Well, it looks like they just might have an answer soon enough.

Over at the eponymous JimHillMedia.com, Jim Hill addresses just such a possibility in his weekly “Why For?” column. It seems that since John Lasseter has put a stop to all the direct-to-home video sequels that were being produced, the studio’s home video division is looking for product to replace their cancelled titles and Song Of The South is a guaranteed seller.

For those who don’t know, Jim Hill is perhaps the internet’s best resource for behind-the-scenes information on the House of Mouse. While Hill is definitely in the realm of speculation, his is probably the best educated guess available. It’s one I would certainly put some stock into.

You may recall this past April, we reported that during an appearance at the Philadelphia Film Festival, Walt Disney’s nephew Roy E. Disney had stated he was pushing for a release of the film on DVD.

All My Heroes Have Been Japanese Cowboys

The folks over at DoubleViking.com, a sort of on-line variation of magazines like Maxim, have published an article announcing something that I've known for the past 23 years-

Real Men Love The Adventures of Buckaroo Banzai Across the 8th Dimension!

To be sure, some of the reasons the writer gives are a bit tongue in cheek. But he is correct in stating "If you haven’t watched it, then you are seriously missing out on a cinematic gem."

 

I first saw Buckaroo Banzai during its incredibly short theatrical release in the fall of 1984. It was on my first date ever and though my love affair with Sheri P. went the way of most high school romances, my love affair with the movie has continued to this date. As a high school sophmore with no idea of what he wanted to do with his future, it was a revelation to see a character, as personified by Peter Weller, who didn't choose one path in life, but walked many- musician, scientist, surgeon, adventurer. Definitely a reassuring message to a kid stuck in the middle of taking all sorts of college and career apptitude tests and being told by guidence counsellors, teachers and the like that everything you do now is going to HAUNT YOU FOR THE REST OF YOUR LIFE!!!!!!!

It was also one of the first movies that inspired me to pick up a pen and try my hand at writing. I wound up getting a couple of Buckaroo fan fiction short stories published, one of which netted me a letter from Peter Weller himself!

If you haven't checked out Buckaroo Banzai, drop it into your NetFlix/Blockbuster rental queue or head out to your local DVD rental establishment and pick it up. It's a film that, despite being firmly cemented in the mid-80s New Wave esthetic, holds up well today.

And remember, "No matter where you go... there you are."

Remake Roundup: Cartoon To Live Action Edition

With all the hype surrounding the live action adaptation of the popular Transformers 1980s cartoon sure to make the film a hit at least over its opening weekend, it’s not surprising that we’re starting to hear rumblings and announcements for similar big-budget projects.



G. I. Joe

Cinematical is reporting that, after years of wallowing in development hell, Paramount is putting their adaptation of the G. I. Joe cartoon on the fast track. They also report that there appears to be two scripts that the studio is looking at- one by Swordfish (2001) scribe Skip Woods which has received some negative online reviews and one originally developed a few years back for the studio by David Elliot and Paul Lovett (Four Brothers, 2005). If the studio will then choose one over the other or combine elements from each into a Frankenstein-like third script is anyone’s guess at this point.




Thundercats

Variety reported on Tuesday that Warner Brothers has optioned a screenplay from first time writer Paul Sopocy for an “origin story” of how a group of human-cat hybrids lead by the appropriately named Lion-O came together to oppose the evil sorcerer Mumm-Ra. Paula Weinstein (Blood Diamond, 2006) is set to produce.




He-Man And The Masters Of The Universe

This is one project that has been undergoing a lot of speculation and rumor over the past few years with the likes of John Woo and M. Night Shyamalan attached at various points. More recently scripter Adam Rifkin (Zoom, 2006) had been working on a screenplay, but it appears that he is off the project as Aint It Cool News is reporting (and Variety has confirmed) that producer Joel Silver has given Justin Marks the assignment now. This makes the third project for newbie Marks, who is also working on David Goyer’s Green Arrow-goes-to-prison movie Supermax as well as a live-action adaptation of the Japanese animated series Voltron.




Speed Racer

And speaking of Japanese animated series that found fan bases in the States, the live action adaptation of the popular 1970s series Speed Racer is moving along briskly. Writer/directors Andy and Larry Wachowski have announced most of the film’s major cast members. Emile Hirsch will star as Speed with Matthew Fox as his mysterious rival Racer X, Christina Ricci as Speed’s girlfriend Trixie, Susan Sarandon as Mom Racer, Dan Goodman as Pops Racer and Scott Porter, who will appear in flashbacks as Speed’s older brother Rex. The Brothers Wachowski have also released a picture of Speed’s car, the Mach 5. The film is scheduled to go in front of the cameras later this year and is scheduled for release next May 9th.

KING OF KONG 'Villain' Speaks Out

Since its January premier at the Slamdance Film Festival, the documentary The King Of Kong and its inside look at competitive video gaming and one man's quest to break the world's record for classic Donkey Kong arcade game has been generating positive reviews as it continued across the spring festival circuit in advance of its August 17 limimted theatrical release. (My own review can be found here.)

One person who understandably isn't thrilled with the documentary is Billy Mitchell.

Mitchell is one of the subjects of the film, the 20-year record holder of the Donkey Kong high score who stands in the way of nice guy underdog Steve Wiebe's quest for the crown. The film does not paint a very flattering portrait of both him and record keeping organization Twin Galaxies, many of whose higher ups are friends of Mitchell's.

Now, after four months of silence, Mitchell has decided to speak out and MTV News was the venue. You can read the interview here.

To be sure, complete impartiality is nigh impossible for any documentary to achieve. Just the process of editing a film to a watchable length necessitates the loss of nuance that may impact how an audience perceives certain subjects and situations. It is with that grain of salt that all documentaries must be watched.

And while Mitchell states that he has actually never seen the film, he still hints in the article at possible legal action- "I'm unhappy that so many good people were portrayed in such a negative light and it will be interesting what large law firm may step forward and offer to assist us in our quest for the truth."

As the summer heads towards the documentary's August release, it should be interesting to see how this plays out...